Review: “Song of Spider-Man”

Reeve Carney and Jennifer Damiano as Peter and MJ, at the Tonys. They sound like nice kids. I forgive Carney for his lackluster turn as Ferdinand in “The Tempest.”

A couple of weeks ago, a friend of mine, Becca, acquired a copy of Song of Spider-Man: The Inside Story of the Most Controversial Musical in Broadway History, by Glen Berger. She then sent it on to a friend of ours in England, Debi who had seen the show with her in New York. They wrote about their thoughts on the book, and they agreed on several things: that Glen Berger is unnervingly in love with Julie Taymor, that Glen Berger finds it very important to tell everyone that he is a Serious Professional Writer, and that the book invites you to throw it across the room multiple times.

I, stressed out about the upcoming tech week for the spectacular production I was assisting on, commented to Debi that I HAD to read this book. And just before tech week actually started, I got a parcel from the Royal Post containing Glen Berger’s tell-all.

My cackling could, I hope, be heard across the pond.

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